Cinémascope
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  • stephane-guillaume

    Interventions humaines , signatures géographiques et perturbations architecturales produisent des singularités, transforment des espaces dérisoires en étranges décors contemplatifs. Réservoirs creux pour fiction potentielle. « Toute photographie est une fiction qui se prétend véritable » (Fontcuberta, Le baiser de Judas – Photographies et vérité, Arles Actes Sud 2005)

 

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