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Jorge Pedra, Porto, Portugal, architect, amateur in photography since the 70's
Most of my photography projects are experimental and can rarely be called documental or even descriptive. I am always looking for an alternative technique, or a new aesthetic. This probably makes me a “user of photography” rather than a photographer. My main goal is to provoke an aesthetic emotion, in a way that turns the picture into an art object.
Sometimes I use photography mingled with pictorial techniques to produce this art object, and I have frequently used painting over the prints, or over the slides or negative film.
Since the "digital revolution" I use Photoshop to manipulate pictures. Though, I try to keep close to Photography, rather then entering the "reign" of Digital Art. En savoir plus
Most of my photography projects are experimental and can rarely be called documental or even descriptive. I am always looking for an alternative technique, or a new aesthetic. This probably makes me a “user of photography” rather than a photographer. My main goal is to provoke an aesthetic emotion, in a way that turns the picture into an art object.
Sometimes I use photography mingled with pictorial techniques to produce this art object, and I have frequently used painting over the prints, or over the slides or negative film.
Since the "digital revolution" I use Photoshop to manipulate pictures. Though, I try to keep close to Photography, rather then entering the "reign" of Digital Art. En savoir plus
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NIKON D70
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Jorge Pedra, Porto, Portugal, architect, amateur in photography since the 70's
Most of my photography projects are experimental and can rarely be called documental or even descriptive. I am always looking for an alternative technique, or a new aesthetic. This probably makes me a “user of photography” rather than a photographer. My main goal is to provoke an aesthetic emotion, in a way that turns the picture into an art object.
Sometimes I use photography mingled with pictorial techniques to produce this art object, and I have frequently used painting over the prints, or over the slides or negative film.
Since the "digital revolution" I use Photoshop to manipulate pictures. Though, I try to keep close to Photography, rather then entering the "reign" of Digital Art.
Most of my photography projects are experimental and can rarely be called documental or even descriptive. I am always looking for an alternative technique, or a new aesthetic. This probably makes me a “user of photography” rather than a photographer. My main goal is to provoke an aesthetic emotion, in a way that turns the picture into an art object.
Sometimes I use photography mingled with pictorial techniques to produce this art object, and I have frequently used painting over the prints, or over the slides or negative film.
Since the "digital revolution" I use Photoshop to manipulate pictures. Though, I try to keep close to Photography, rather then entering the "reign" of Digital Art.